The American Idiot‘s and Viva La Vada‘s of this world are hard to ignore, but anyone can like them and it not be anything unusual. What is truly great about music is when you find that album you didn’t know was coming out, even if you spend time now and again picking apart the unreleased album page on Wikipedia (which tend to be a pretty reliable source of release info by-the-by), you can often suddenly notice an album which has been released completely under your radar.
These hidden gems are what make music great, and my latest discovery was Story of the Years new release ‘The Constant‘. While I was eagerly anticipating Alkaline Trio’s new release (This Addiction, which sadly falls well short of the greatness they achieved on From Here to Infirmary), I came across this furious mix of melody and energy.
The album opens with the slightly grating sound of an old children’s roundabout, with the sound of children playing in the background before the children themselves begin the intro with chilling choral vocal “Don’t take this world away from me” before the main riff kicks in.
As well as ‘The Children Sing‘ other stand-out tracks include the distinctly Lostprophets-ish ‘The Dream is Over’, which boasts an impressive guitar solo section, and the anthemic ‘I’m Alive’, a dedication to a disaffected youth which remains ever-present but never over-bearing throughout the album.
Despite being a very ‘punk rock’ record, the band calm down for a few tracks in the middle, notably the strangely harmonic ‘Holding on to You’, giving some welcome variety, something quite uncommon on this type of album. In stark contrast to that is the angry ‘Won Threw Ate’, which shows off the screamier side of the bands range, but is just restrained enough to mean it doesn’t stray too far from the general sound of ‘The Constant’ as a whole.
Story of The Year, who have been around since 1995, are never a band who will take the UK charts by storm, and nor should they, but they have pulled the experience of their previous three albums into making this latest effort, and it really pays off. The songs are more ambitious musically, but not unnecessarily complex, and the album holds together incredibly well, particularly important with a name like ‘The Constant‘.
While you may dismiss them as another one of the ‘shouty american rock’ crowd, that would be a mistake, since this album shows a respectable range and draws on various influences to create songs which at times are alike to Rise Against, Nickelback and even Simple Plan, which is no bad thing.
Verdict: Undeniably catchy and well thought out, an essential addition to any modern alternative music collection.
James Michael Parry