The Dark Knight Rises | Film Review | This Is Entertainment

Hand-breakingly good actionWith its predecessor raking in critical acclaim from across the globe, not to mention two Oscars, the deck could not be stacked higher against The Dark Knight Rises. Quite amazing then, that the film generally manages to escape the shadows of previous films to hold its own and live up to its legacy.

Eight years have passed since Batman vanished after taking the blame for Harvey Dent/Two-Face’s killing spree at the climax of TDK and the years have not been kind. Christian Bale’s Bruce Wayne is a recluse, Wayne Enterprises has been hit hard and there is a storm coming – a storm led by build-like-a-tank supervillain Bane.

The Nolan incarnation of Bane is far removed from the hulkish giant found in Batman’s most tragic cinematic outing, Batman and Robin (which, interestingly, Bale was almost cast as Robin in). Bane circa 2012, played to perfection by Tom Hardy, is a calculating and brutal terrorist, intent on bringing Gotham to justice. Sounding familiar? That’s because justice was the driving force behind Ra’s Al Ghul’s assault on the city back in Batman Begins.

In fact the ties with Director Christopher Nolan’s first venture into Gotham City keep popping up, almost as if the franchise has gone full circle. Unfortunately it does mean that the continuity seems odd, as TDK now doesn’t quite fit as well with the other two, despite sharing most of its name with the latest film.

The returning cast is on fine form, with Bale, Michael Caine and Morgan Freeman slotting in to their establish roles reliably. It’s Caine though that really pushes the envelope emotionally, with the most touchingly tearful speech of the trilogy.

Newcomer Anne Hathaway as cat burglar Selina Kyle, or Catwoman as she’s better known, is a delicious blend of deadly and sexy, instantly convincing as the opportunist thief making the best of a bad time in a bad town.

Bane does the Caped Crusader some damage.The other two new faces of note quickly give a suggestion of the film’s mind-bending edge, since they both feature in Nolan’s last blockbuster – 2010’s Inception. Marion Cotillard’s shrewd investor Miranda is the first suggestion that the business world of Gotham is bigger than just Bruce Wayne. Joseph Gordon-Levitt is Gotham cop John Blake, who provides a new point of view as the audience follow for much of the film, as the characters we know change before our eyes.

Gary Oldman continues his Oscar-worthy turn as Commissioner Gordon. This time around Gordon is held back from the front line, forced to let youngsters like Blake take the lead. Oldman perfectly depicts the character’s mixture of frustration, as he struggles to stay in control of his city, and regret, at keeping the truth about Harvey Dent a secret.

The spectacle of this film is undoubtedly the greatest of the three, with the sound and cinematography reaching new heights, something particularly noticeable when viewed in IMAX. The film’s plot is a double-edged sword however, simultaneously too complex and too simplistic. Some characters aren’t given the time they deserve, and the lack of a central driving force like Heath Ledger’s Joker really tells, as the smaller plot lines conflict and fight for attention towards the final act.

Nolan went into this film to meet the challenge of making a compelling final instalment to a trilogy, something notoriously difficult to accomplish, and thanks to his passion and dedication as a director, succeeds in making a film up to the calibre of the other films, but falls short of surpassing them.

Rating: 4/5

pictures courtesy: breitbart.com

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