Reading Festival 2013 | Review | Music

Reading Fest 2013After a decade of live music you think you’ve seen it all, but Reading Festival continues to deliver unique experiences year after year and nothing can compare to this festival’s atmosphere, excitement and passion.

This year saw the return of Green Day and Eminem to the headliner slot on the Main Stage, and a long-awaited rise of Biffy Clyro to close the show with a, frankly tremendous, bang.


Reading Fest 2013A ray of sunshine greeted While She Sleeps as they opened the festival on the Main Stage to a lukewarm reception.

The arena this year has had a re-jig, expanded to include a new stage and split the entrance into two – one heading to each side of the campsite – a tactic which largely works, though a bit of crowd education is necessary.

New Found Glory played Sticks and Stones in full (almost).
New Found Glory played Sticks and Stones in full (almost).

Highlights of the afternoon were New Found Glory, who began the retro trend with a complete rendition of breakthrough album Sticks and Stones.

“They forgot to check how long we needed and only gave us 40 minutes,” said frontman Jordan Pundik. “Our album is 42.”

As a result the band struggled to fit everything in, and in the end skipped the last track in favour of ‘All Downhill From Here’.

The show was well received by fans, despite many being only children when the album was originally released, and the bands energy was in full show.

As the evening drew in, Bastille drew the biggest crowd, packing out the NME/Radio 1 Stage with their calm melodies, and then, in contrast, the return of System of a Down to the Main Stage was met with a fantastically enthusiastic crowd.

The Living End do their party piece.
The Living End do their party piece.

At the same time, both The Living End and Alkaline Trio added weight to the line-up on the Lock-Up Stage, proving that these established bands can still deliver.

Green Day’s set on the Main Stage was hotly anticipated, and overall did not disappoint, with something for every fan, old and new, with a flurry of new songs at the beginning giving way to a complete rendition of Dookie, the band’s breakthrough release – which has it’s 20 year anniversary next year.

The band’s charisma was in evidence, particularly that of Billy Joe Armstrong – ever fond shouting ‘eh-oh’ to the crowd in true Freddie Mercury style.

But, in the band’s defence, the crowd responded, and caused Armstrong to proclaim that Reading is “the greatest festival in the world.” To which there was little argument.

Billy Joe continues to be a very popular showman.
Billy Joe continues to be a very popular showman.


The rain fell strongly during Lower Than Atlantis' set.
The rain fell strongly during Lower Than Atlantis’ set.

The second day brought a change of feel and a change of crowd as headliner Eminem sets the tone, and changes the demographic of the crowd. Oddly there’s even racial diversity, something not often seen at this predominantly Caucasian festival.

Lower Than Atlantis earn their billing on the Main Stage with a fantastic set, for a band which played the Festival Republic Stage only last year. The band’s latest album shines particularly brightly and has the crowd entranced despite the inevitable rain.

The Blackout brought a strong dose of Wales to proceedings, who were well represented in the crowd throughout the weekend. The medley of hip hop classics was  particularly inspired segment.

White Lies closed with Ritual hit 'Bigger Than Us'.
White Lies closed with Ritual hit ‘Bigger Than Us’.

Strength of the bill through the afternoon holds up, with Twin Atlantic and even more so White Lies keeping the crowd entertained.

The latter pledged to give a set with more ‘girth’ in the programme and delivered, finishing with the timeless ‘Bigger Than Us’.

Imagine Dragons packed out the NME/Radio 1 Tent
Imagine Dragons packed out the NME/Radio 1 Tent

Imagine Dragons were the draw for everyone as the evening built up momentum. Playing most of their debut album, Night Visions, the band had their audience entranced and singing along with every single song.

‘Radioactive’ proved to be an epic closer, and the band made full use of the on stage percussion to give an epic, almost film soundtrack-like quality to the atmosphere.

Eminem’s set in the evening reflected the complete journey he has been on as an artist. There was banter from the crowd, singing along with hits such as ‘Real Slim Shady’ and ‘Without Me’.

There was an even a rare appearance of collaborator Dido as the rap star brought out his radio-friendly tune ‘Stan’. This prompted widespread arm swaying and singing along from the audience, which was massive and filled almost the entire arena on its own.

Following a teasing encore, there was a return to ‘Lose Yourself’, prompting yet more singing along. In all the show met everyone’s expectations.

Eminem's set was quite dramatic at times.
Eminem’s set was quite dramatic at times.

Best kept secret of the night was the films in the Radio 1 Extra Stage, which featured Star Trek Into Darkness, prompting a huge woop from the crowd as soon as Benedict Cumberbatch came on screen.


The final day’s highlights were strewn throughout the day, but the Main Stage remained the place to be.

Hadouken! brought the disco groove to the Sunday.
Hadouken! brought the disco groove to the Sunday.

Hadouken! brought a real disco vibe which recalled the classic performances of acts like The Prodigy in the past, with an element of Pendulum. The crowd enjoyed the early afternoon boogie and it got the energy levels up early considering how late in the weekend it was.

Editors brought gravitas of a strong, well-established British band, with a number of hits – most of which you can’t quite remember the name of – and the crowd responded well. Songs from the new album did better live than on record.

The Lumineers went the extra mile, with front man Wesley Schultz fending out into the crowd to play a song, though the momentum was somewhat lost by Fall Out Boy delivering a set full of songs from all areas of their career but forgetting to put them in a discernible order, leading to a haphazard mix of styles clashing.

The light show for Nine Inch Nails was undeniably impressive.
The light show for Nine Inch Nails was undeniably impressive.

As darkness fell the might of Nine Inch Nails‘ light show was undeniable, with dozens of lights creating a hypnotic and dazzlingly elaborate display.

The set was slow to start, focusing on the band’s electronic sound, but by the end the rock was back in full force and slapping the audience in the face.

Finally it was the turn of Biffy Clyro to close the show. The new album Opposites was a fantastic platform to build the set around, packed with instant classics, and the hits from their back catalogue just kept on coming.

Biffy Clyro managed an astounding set which spanned their entire career.
Biffy Clyro managed an astounding set which spanned their entire career.

The show reflected the range in the band’s style well, even featuring ’57’ from the band’s first album, and the crowd responded with some of the loudest singing along of the entire weekend.

Closer ‘Mountains’ hit the sweet spot of the audiences knowledge, with old and new fans being drawn in.

The festival in all was a success, some questionable car parking organisation aside, and leads to thoughts of who might hit the line-up in 2014.

James Michael Parry

Kick-Ass 2 | Review | Film

This time, it really is personal...and bloody.If there are only two ways to go with a sequel – play it safe or go all out – Kick-Ass 2 could never be accused of being sheepish.

The follow up to the OTT coming-of-age superhero tale, which also had an endearing sense of humour, takes the phrase ‘all guns blazing’ to a whole new level but still keeps the heart which made the first film so compelling.

The change in director is felt as soon as the first action scene kicks off, with a flurry of violence, blood and frantic camera work in abundance. Despite this the feeling of excitement and adrenaline doesn’t quite get out of hand, the laughs remain (if accompanied with a few cringing moments), and the plot is just as strong as the first outing.

After the extreme danger and peril of part one, Kick-Ass has given up his hero work, while Hit Girl has kept training and keeping the streets safe, despite her guardian’s best intentions to have her lead a normal life.

At the same time, the numbers of costume heroes on the streets has increased, with ordinary people being inspired by what Kick-Ass started.

Jim Carrey owns the show as Colonel Stars and StripesThis is where Jim Carrey comes in. The loss of Nicholas Cage could have been a severe setback to the film, but Carrey as Colonel Stars and Stripes fills the boots of slightly-mad-but-mature hero with gravitas and fun. Unfortunately his character isn’t explored as much as it should be, and as a result the potential isn’t fully realised.

Herein lies the biggest downfall of the film in a nutshell. For everything Director Jeff Wedlow does right he does something else which…isn’t quite right.

In the end the positives outweigh the negatives, but it can occasionally take this impact out of the film’s finer moments. At one point the audience is drawn into an emotional peak, before being thrown into high octane action without any chance to take a breath.

Evil villain duty is taken up by Christopher Mintz-Plasse, who does little to shake off his Super bad typecasting, but, to his credit, makes his typically expletively-named character work.

The good guy cast deliver as they did last time around, with an added slice of character development for Hit Girl (Chloe Grace Moretz) which on the whole works’ though does feel a little forced at times. Aaron Taylor-Johnson is the rock for the story once again and continues to give a stellar performance, really convincing in the continued disbelief of his situation.

Hit Girl gives Kick-Ass some trainingThe action can get pretty bloody, with the previous film’s most bloody moment becoming more of a regular occurrence. It may be too much for some tastes, but just about manages to toe the line and keep things within it’s (admittedly very comic book) established boundaries.

The film overall is a lesson in how sequels which take a risk can pay off, with the occasional misstep or rough edge. Being based on a comic book gave the story more weight, but the delivery from the cast, both returning and new faces alike, is what sells it.

As an action film alone it hovers around average, but the characters and the interplay, plus the fact that it doesn’t take itself too seriously, push the film to be more than the sum of its parts.

Rating: 4/5

James Michael Parry