With a premise which stretches audience’s limits of what they are willing to believe (oddly more so than a virtually invincible god with a magic hammer) Ant-Man had its work cut out from the off. On top of that add the pressure of following up the tremendously popular Guardians of the Galaxy from the ‘oddball’ side of the Marvel camp and the excitement of The Avengers: Age of Ultron only a few months before.
Star Paul Rudd and director Payton Reed remain unphased and sensible focus their film around the character of Scott Lang, a crook fresh out of jail for burglary (not robbery) who has a daughter he cares about – a lot.
Being an ex-con is never easy, and immediately it’s easy to warm to Scott, who combines Rudd’s natural charm with some of the DNA of Downey Jr.’s Tony Stark and Chris Pratt’s Starlord to come up with something which somehow manages to feel fresh in a world filled with snarky heroes.
Watching him hopefully from the shadows is Hank Pym, played (frankly, quite suprisingly) to perfection by Michael Douglas, in many ways the polar opposite to the brash, showy scientist which Howard Stark was. Pym is under pressure as his own company is on the brink of not only being taken in a worrying new direction, but it’s thanks to some of his long-buried research – The Pym Particle.
Squaring off against our hero is the slightly disappointing Corey Stoll as Darren Cross. Stoll put on a fantastic turn on Netflix crown jewel House of Cards but here isn’t given too much to play with other than the broad strokes of Loki’s motivations, and sadly doesn’t stand up to them.
While Cross might fall short, he is more than compensated by the other supporting characters, such as Evangeline Lilly’s Hope Van Dyne and even more so Michael Peña as Luis, definitely the comedy stand-out of the film.
The story doesn’t take a massive leap from what we’ve seen before in the MCU and, one imagines, has been toned down from Edgar Wright’s original vision, after he left the project (though proudly maintains Executive Producer and Story credits). It seems like a missed opportunity to have tiptoed outside the box a little further than we’ve seen before, but given the scale of what Marvel are building, it’s no surprise they are taking a few safe choices.
Reed and the cast deliver a film filled with a nice blend of comedy and action, differentiated from the likes of Guardians by feeling more grounded and relatable and more intimate than The Avengers from its narrower scope.
Visually the film plays very well with 3D, so much so that it actually enhances the experience as advertised, and both the action and maintain the sense of fun which is threaded through the film.
The heist vibe is also nicely played in, particularly with the theme and score which build a feeling similar to the intricate-yet-relatable plans from the likes of Ocean’s Eleven.
The fun to be had here is massive and Marvel has handled a difficult property with precision, excitement and heart which is all-too-often lost in some of the more ambitious franchise films.
A great time for kids and adults alike, we’re looking forward to seeing Ant-Man play with the Avengers in the films still to come.
James Michael Parry