It’s hard to ignore the voices inside your head, whether you’re struggling to not to laugh as your dad asks you what an Instagram is for the 18th time, or trying to resist procrastinating on a Friday afternoon. Inside Out dives into your brain head first to explain some of those moments where you just don’t know what to feel.
Riley is an 11-year-old American teen who has it all, great family, great hockey team and a great house. Of course everything changes when the family have to move and this sends Riley’s emotions into overdrive, which is where we meet Joy, Anger, Disgust, Sadness and Fear.
Like all Pixar films, the characters look incredible, the level of visual detail as they build this imaginary world in Riley’s head is astonishing, right down to the speckled, brightly-coloured outlines and other-wordly edge to the characters themselves.
While the plot centres on Riley, it’s really Joy who is the main character here. It would have been easy to go for very basic emotional choices to describe the range of emotions in people, but going for Joy rather than Happiness immediately brings more depth to the character itself and makes her more relatable. Everyone knows someone who tries to see the sunny side of everything, and you immediately see them in this character.
Looking pretty isn’t enough to make Inside Out a good film though, and fortunately the Pixar gang also offer both a plot and a character arc which delivering the full spectrum of emotions (literally and figuratively, which is rather appropriate) without being obvious.
The cast work really well together, and no one outshines the rest or is so much of a talking point to make the others irrelevant. Parks and Recreation‘s Amy Poehler is passionate and likeable as Joy, while Phyllis Smith’s Sadness balances her out perfectly. Disgust (Mindy Kaling), Fear (Bill Hader) and Anger (Lewis Black) all make a solid impression when the trio are left to their own devices and really it’s the human characters (as usual, you could say for Pixar) who come off as a bit dull.
The concept of Inside Out alone is enough to warrant your attention but as soon as it has it it will hook you in for good, and that’s a good thing. Once again Pixar, specifically Pete Docter and Ronaldo Del Carmen, who also directed, have created an entire world we never knew existed and as soon as you see it it makes perfect sense. It almost goes without saying at this point, but the film is fun for adults and children, and proves that there are plenty of good ideas left out there.
James Michael Parry