It was to be expected of course, the original Dark Souls was notoriously difficult, and this sequel is reportedly even harder.
As a newcomer, I had heard tales of such dastardly game design, a system which teaches players how to play the game by punishing them with death at every turn. Foolishly for a time I thought this truth may have been exaggerated, but this quickly changed as soon as I took my first steps in the game.
A path filled with danger
Shortly after the opening cut scene, which sets up a story filled with light and dark, dead and living, good and evil, I found myself in a field. Grass gently blowing from an unsettling wind I heard a rustling. At first one, then more wild dogs appeared, pursuing me.
I turned to flee, but didn’t watch my step, and quickly found my way to a bottomless pit. From here, the fate of my character (Dave) did not improve dramatically (on the upside though, I did earn my first achievement).
Once you have got over the constant fear of death – as much as is possible for any vaguely rounded human being – the biggest thing to hit you about DSII is how open it is.
Death, is only the beginning
This is not an open world game per se, but it does leave the player to make their own way in the world, in what is often a very hostile place. A tutorial area introduces you to the basics, briefly, but once you are out of the woods and into Majula, the least prickly of the game’s areas, you are left to chose your own path.
Early on, I found myself taken down a passageway beneath a church. The journey seemed innocent enough, but when I reached the other side I was faced with a heavily armored warrior (possibly made of armor) blocking my path.
After countless attempts to slay him and escape with my life I succeeded, but alas, another of his company waited for me around the corner to put an end to my foolish optimism.
The game begins, as many RPGs do, by asking you to pick a class. Nothing out of the ordinary perhaps, would you choose the warrior, a sturdy all-rounder, or a specialist such as the swordsman?
In a universe which entertains both giants, dragons and magic there are many dangers and no character has any real advantage overall. In the end I opted for the magic-wielding sorcerer, equipped with a staff and the Soul Arrow spell, but with little else to hold the forces of evil at bay.
Do your homework
Another area where novice/incompetent (delete as appropriate) players may struggle is getting to grips with the game’s various items. Herbs may be familiar to the Resident Evil player within you (in fact the game as a whole has a feel reminiscent of Resident Evil 4), but countless other items require significant scrutiny to make sense of, even to understand the descriptions offered by the game.
Even harsher is the fact that if you miss one lone NPC you can miss the means to level up your character entirely, the realisation of which makes you all the more attentive and persistent to the mutterings of any character. You’ll eagerly press A after every line to see if there is more of the story to tell.
The currency of the game is souls – you are undead after all – and whenever you die those souls remain, waiting to be reclaimed when you walk over the spot where you once fell. These souls buy you items as well as levels and there will be times when you re-play areas to boost the number of souls you have.
Bonfires are one of the core mechanics, another one of the few things I knew about before picking up the pad, and they continue to be your small, warm corner of safety amid a land of horror.
Transporting between them is painless, and you can power them up with the right materials. The trouble it isn’t always obvious where they are, meaning you can be drawn into an area not knowing what is effectively a save point is hiding behind a stray tree.
Not that you are ever safe, as even simple refuge has a sting in its tail – whenever you rest the basic enemies around that area immediately respawn.
The game is technically well put together, with great graphics even in the twilight of a hardware generation and particularly effective lighting affects, offering dynamic shadows which are key to some gameplay elements and brutal sound effects which offer a more realistic edge to the clanging steel of the likes of Soul Calibur.
Hard work has gone in to make you lose yourself in this world, to believe that all hope is lost and that you must embark on a quest for salvation for souls, whether it be a simple hollow man or a towering tree giant (hint: risk = reward).
For some the difficulty will be too demoralising, and at times it does slip into irritation rather than challenge, but in all the balance is struck well. If you fancy an even tougher challenge, and are, in fact, a masochist, then there is a covenant in Majula which offers to top up the difficulty.
The game has a lot to offer, but it like a treat surrounded and obscured by barbed wire: to reach its tasty centre you must suffer through its trials and earn it. I have never been a gamer who falls into RPGs with anything less than extreme difficulty, but, strangely, something about DSII has me longing for more, daring me to pick up the gauntlet once again, and it’s an experience done so well that I am more than tempted to try again…and again.
It ain’t easy being yellow. Pac-Man first came chomping onto arcade machines back in 1980 and after a number appearances over the years, he’s back to set new records in chomping, munching and guzzling.
In many ways, Pac-Man is a homage to the over-indulgence of society, constantly eating anything that moves, whether it be a tasty treat (cherries, lemons or, in this game’s case, hamburgers) or various enemies.
Since his 2D hayday Pac, as he is trendily known as, has developed a few new skills to help him with this 3D platforming adventure. The titular ghosts are as you might expect, each with their own move and colour coordinated appropriately so you can anticipate their attacks, although in some areas their over-enthusiasm to hurt you can lead them to charge at you, miss, and fall off the map to their death – despite floating in midair for the most part.
Technically otherwise though, there’s little to complain about. The visuals look clean, bright and colourful – everything you would expect from this children-focused title – and the camera does a reasonable job of keeping up with your twists and turns.
That said, there’s little in the way of a tutorial, and some of the mechanics require fairly precise timing on button presses to pull off, which may be too much for younger gamers. The frustration of repetitive deaths is irritatingly present, since it is a platformer, but there are enough mechanics going on to keep things fairly varied.
The gameplay is very very similar to games like Mario Galaxy or Sonic Adventure 2 Battle, although sadly the game doesn’t have the imagination of the former or the style of the latter, making it feel like a bit of a copycat, attempting to cherry-pick the best elements of both.
Standard Pac-Man can double jump, dash forward with his trademark chomping noise – which can be chained together through multiple enemies – and ‘scare’ the ghosts with an overly dramatic “Boo!”, turning the enemies into the blue, vulnerable iterations which hark back to the original title.
There are times when the game tries to take the character further, in the form of themed power-ups. Most of these are limited and some make movement an extra challenge, the camera doesn’t help here as when jumping (or bouncing) across platforms it isn’t possible to move the camera up to bird’s eye view so you can judge how far you need to go.
Collectables in the game are limited and the only explanation for what they do is offered through fleeting loading screens. One of the neatest is a homage back to Pac’s early days through arcade machines in the hub world, a school, which you can play with tokens once you have completed enough levels to unlock them.
Story-wise the game is based on the TV series of the same name, which sees Pacopolis (yup, really) attacked by ghosts after the seal on the Netherworld was broken by accident, releasing evil antagonist Betrayus and his ghostly army. Sadly we don’t get to see too much of Betrayus in the game until an underwhelming stand-off at the end, instead being subjected to increasing size and complexity of ghosts, which can largely be run past or ignored to clear an area.
The game is split across six zones, largely elemental (fire, ice etc.) and each has around six levels within it, each taking about 20 minutes to complete – unless you die lots of times on a frustrating floating platform section – making a 12 hour game in theory if you max out every level, but there’s not much to compel you to re-play.
The game is fairly well put together considering its intended audience, though mum and dad might need to help out more often than not, and is fairly entertaining for a short spell, but don’t expect this game to push the boundaries in any way and certainly it won’t deliver the sort of memorable experience you might have got from something like Mario Galaxy or Banjo Kazooie.
You might think that it’s all getting a bit robot-mad around here at present, but in my defence this is one of the most anticipated games of the year, particularly on Xbox One (though, of course, it’s worth pointing out you can play it on 360 and PC as well).
The Titanfall Beta began on Friday 14 February. So, “What’s it like?!” I hear you ask. In a nutshell this game takes the first-person shooter genre and adds another level to it, in this case the one I’m talking about isn’t the massive robots – although they do change up the gameplay considerably – but playing vertically.
Making your way around maps designed to allow pilots to take advantage of going up and down as well as side to side makes the experience incredibly refreshing. Plenty of other games have done this before, no doubt, but here the execution is excellent, lumbering titan-like strides ahead of even seasoned franchises with killer multiplayer like Halo.
Being a Beta, there is only some much which can be taken away, and as such my reactions are still held in check a little with the anticipation of the full whack we are due on March 11. That said, even with limited modes (just a standard deathmatch, king of the hill/conquest and Titan v Titan) the gameplay takes first place.
Graphical fidelity will be less than the full version of the game too, but still the game looks solid. It’s missing a few water effects which players may have become used to and other touches, which may be included at retail, but the animation is strong and not juddery considering the amount going on on screen.
A lot of blabbing has been done over both resolution and also the number of players per side. Firstly, the frame rate, which I personally think is more significant to gameplay, does well despite the game being online-only and secondly, the number of players feels right for the size of the maps so far, particularly when all the titans are in play.
The feeling of being in control of a titan is so powerful at times that you quickly forget how vulnerable you are as a colossal, reasonably slow-moving target. Maneuverability feels quite familiar, in that the titan is an extension of its pilot – we aren’t talking Pacific Rim scale after all, the titans are the size of a two-story building.
Dodging and sprinting make a big difference, though it takes a while to adjust the bulk and avoid getting stuck on lampposts and other debris. It almost seems a shame that this game isn’t one of the umpteen titles being developed on Frostbite 3, as destructive environments would really push this title to the next level.
Of course, it would quickly become increasingly difficult for pilots, so perhaps that’s why developers Respawn decided to not go down that road.
The two maps available in the beta give a hint of the excitement to come, reportedly these only scratch the surface, as you would hope, and the loadouts system seems promising. The default loadouts alone give enough variety to keep the gameplay interesting, particularly since you select titan and pilot weapons, equipment and abilities separately.
One area which will be uncovered in the full version is how the narrative is woven into the game, since it is multiplayer only, but even without that set-up, the Beta is well served by its comprehensive but not overly-long tutorial training.
In all Titanfall will definitely be a game that all Xbox One owners should want at the very least, not because it’s the first exclusive which PS4 owners will really start to feel some jealousy over (and then buy on PC), but because it’s a game which begins to flex the muscles of the system and bring fresh ideas to the table.
It’s been a while since Microsoft released its latest console, the Xbox One, and with the Christmas rush out of the way it’s high time it was put through its paces.
Of course, the version of the Xbox One we have now is far from its potential and there are plenty of possibilities for the future, but at the same time, a lot of people have paid a lot of money for this console, so what did they get for their cash?
The Xbox One is a gaming machine built for a connected future. Though I won’t get into the tech specs debate (may touch on that later), the key thing is that this is a considerable step up from the Xbox 360.
The increase in memory (eight times to be vaguely approximate) is the most noticeable change,boosting draw differences and the amount that can be going on on screen substantially.
Kinect 2.0 is a big improvement on the original and is pretty reliable – providing you pay attention when going through the setup process. There are a lot of optimisations and refinements to come with this, but to perform this well pretty much out of the box is a real plus.
The multimedia features of the box are one of the main selling points for some, since the console’s vision of being king of the living room actually seems to work in practice. Jumping between DVD, Netflix and games using voice commands is seamless and soon you will wish you had the same functionally in all of your devices.
The HDMI passthrough is the feature which still holds the biggest potential, since at the moment the much-touted TV services are very much US-orientated, but hooking up the Xbox 360 works pretty well (apart from the One having to be on to play it).
The launch line-up was reasonable, and showcases what the console can do, to an extent. Forza Motorsport 5 (to give it its full, overly-wordy title) is a solid game. It looks beautiful, it plays smoothly and the drivatar system, which builds AI racers based on the drive style of your friends and other players, makes the competitive experience far more compelling.
There are some issues with multiplayer games at present, some of which are more the One’s fault than the games, but when you do get into a game it’s good fun, though you can’t help but feel some of the Top Gear humour seen in the single player could have been extended to give a selection of ‘party’ race types, which emphasise the sillier aspects of a game which is generally fairly stuck up.
Dead Rising 3 delivers more of what fans wanted and puts an impressive number of zombies on the screen, but doesn’t offer much in terms of story or anything which is particularly ‘next-gen’.
Ryse, heralded as the shiniest of the first party launch trio. Has strong visuals with somewhat lacking variety in terms of gameplay. The controls can be a pain as well, with a simple action, such as picking up and throwing a spear, being a pain.
Performance of third-party games is strong, although there’s no getting away from the fact that the PlayStation 4 handles them with greater ease. Battlefield is a strong example of how a tried and tested gaming experience can be taken forward, with the scale of 64 player battles undeniably impressive – it’s just a shame about all the bugs.
Which leads us neatly onto the not-quite-baked interface. Generally most tasks are intuitive enough, particularly when you use voice commands to bring them up, but delving through the menus can be a chore.
Luckily the ability to ‘pin’ games and menu items on the left hand side of the home screen is a great help to making your life easier, though it would have been nice to see the customisation taken a step further.
The biggest issue is that everything feels a bit slow, as everything is now its own ‘app’ rather than just a part of the UI which was running in the background. Plus there are a raft of basic menu options, particularly relating to friends and parties, which are just inexplicably missing.
When you work out how to get everyone into a party, turn on party chat (still baffling that the default is off with no option to change) and get that party into a game, things are fairly simple. The trouble is the combination of different invites and different places to do different things is dizzying and most players would have lost patience long before it became obvious.
It seems in their strive for simplicity, Microsoft have taken out a lot of the basic functions which were actually so commonly and easily used that they became second nature, making their disappearance cause to learn a whole new way of doing things.
It’s not dissimilar to the switch of the start button to the start screen of Windows 8, by no small coincidence, but it is frustrating when the logic isn’t obvious and it’s easy to feel as if things have just been changed for the sake of it rather than because it enhances the player experience.
Probably the strongest element of what the Xbox One has to offer, Microsoft kept thing similar but made a lot of refinements under the hood – perhaps an ethos they should have extended to the interface overall…
The controller feels sturdy, has a comfortable weight and feel and reacts precisely. The rumbles in the triggers, probably the most obvious change from the 360 iteration, go a long way to adding to the immersion and it will be interesting to see how it is used in genres such as survival horror to catch players of guard.
The D pad is leaps and bounds ahead of the 360s bloated mess, and the buttons generally are solid without being stiff. There have been some objections to the sharpness of the edges of the thumb sticks, but a lot of it comes down to personal preference.
Of course Kinect is also a controller, but with little on the table to prove itself just yet. The viewing angle is much improved and it works well in a more confined space but it can be fussy if you have something between it and you in the middle of the room, such as a coffee table.
Updates and tweaks will see this go from strength, but considering how little the first Kinect progressed from its release, you can be fairly sure that any change from how the new version is working now is fairly close to the peak of its potential.
The Xbox One is a machine which offers new experiences, but often at the expense of the old. The slick feeling of effortlessly breezing through things with voice commands is excellent, until you reach a point where you have to press a button on the controller and you wonder why.
The social side is where Microsoft has to do the most work. The Xbox LIVE community, probably Microsoft’s greatest success to date (at least in its gaming division), has been fractured with this new console release, in a way which wasn’t as significant when the Xbox 360 came along.
Online is undeniably where the future of console gaming lies, and online functions and integration are going to become increasingly important as time goes on.
More games will be online only, more will have integrated social functions, possibly supported by tablet devices, drawing on the benchmark set by the new version of Xbox Smartglass, and players are going to become increasingly impatient.
Some work needs to be done to plug the gaps and rethink the oversights, but by and large the Xbox One is well set for this future. Being future-focused brings the drawback that the current experience might feel like a bit of a let down.
Once more games come along, particularly Titanfall, Destiny and Watch Dogs, there will be a much more rich variety of things to do on the machine, but for now things can be particularly empty, especially if you are purely focused on gaming.
If you take the One as it is, it might not knock your socks off, but if you bear in mind the long-term and the potential of what Microsoft are clearly trying to create, then you will appreciate it a lot more.
For now, the key is getting together with people who you know. Even having one team mate playing with you, who you can rely on and communicate with, makes all the difference in most games, and multiplayer adds life and soul to otherwise clinical titles such as Forza.
Most importantly, enjoy it and try things out. If you haven’t unpacked Kinect yet then it’s well worth exploring, since it does add a lot to the user experience. In the words of Colonel Stars and Stripes whatever you do, try to have fun, otherwise, what’s the point?
To game online with This Is Entertainment, message gamertag ‘Decent Jam’ or visit the forums at http://www.oxm.co.uk.
There’s only weeks to go before the biggest head-to-head of the year as Microsoft’s Xbox One and Sony’s Playstation 4 go on sale to the masses. Ahead of all that excitement, indulge in some first impressions on what Xbox One has to offer after a special preview event.
There’s no getting away from the fact that Xbox One is a big machine. Designed to be the hub of your living room, it’s size is reminiscent of the original behemoth which its grandfather was back in 2001.
This isn’t a drawback, providing you have the space, and Microsoft clearly seem to have compensated (possibly over-compensated) on cooling, which proved to be such an issue for the Xbox 360.
Power is something which is quite subjective, and in this regard, there’s no denying the One lags behind the Playstation 4 on paper and, as it turns out, in practice.
The debate is bringing the internet to its knees as we speak, so no need to recount it here. Briefly – the One is running games at less that 1080p native resolution, while the PS4 apparently manages it without too much bother. Suffice to say people are unhappy about that.
In reality, when you are engaging with these games, you are not going to notice the difference unless you immediately go from one to the other, and for many the gaming experience goes far further than just how pretty the game looks.
That said, Microsoft has a mountain to climb to fulfil its claims about what the machine can deliver in terms of using the cloud and being truly future-proof for the next 10 years.
Although the basic design of the controller remains from the 360 era, there are a number of changes, updates and innovations within the new controller which push it to the next level.
Rumbles in the triggers are the most obvious change, but the subtlety of how responsive and precise the controller feels is probably the most important long-term improvement.
The balance of the controller remains virtually the same and the lack of battery bulge on the back gives you more space to stretch your fingers.
Jumping out to the guide with the Xbox logo is now more swift, with the screen zooming out to reveal a Windows 8-esque start screen. The start and home buttons have changed too, but it’s difficult to say how significant these adjustments will be until you are living day-to-day with the console because of one very big elephant in the room…
In fact, Kinect is no longer the black sheep for Xbox gamers, since it seems this time around the technology is going to live up the expectations set a few years ago when Project Natal was first announced.
So far we haven’t managed to get our hand on (well, actually NOT on) Kinect 2.0, but the various demos shown off so far definitely seem like more than smoke and mirrors.
The greatest change will be the interface. For some, this new Kinect is their first experience of the technology at all, since before it was dismissed as “foolish arm-flailing”. Now it’s in the box, there’s (almost) no getting away from it, and it definitely seems like the gesture control and even more so the voice control will be very popular.
Diving into the first-party and exclusive launch line-up for these games doesn’t feel Earth-shattering. These games are pretty, in fact in Forza 5‘s case they are astounding, but the gameplay is familiar.
The increase in scale possible with the technology is there, but it’s difficult to appreciate until the developers have begun to get their head around the technology properly. Of course the scope of these games is impressive, but also fairly safe.
Dead Rising 3 (admittedly in demo form) offers only a wall of zombies to keep players occupied. All individually animated and reasonably independent in terms of behaviour and reactions, though zombie mentality in general is more like a mob in any case.
These are all positives, but where the game is already showing itself up is with various animation and spacial awareness issues. For example there only seems to be one ‘finishing’ move with each weapon and the transition between play and these is abrupt.
Equally irritating is that when main character Nick is wielding a park bench, poised and ready to decapitate a would-be brain-muncher, you move around to get a better position and find the bench happily passes through a nearby lamppost.
Auto-aim for lobbing such items is also not quite in tune with the camera, rarely seeming to aim towards the zombie or group you are trying to exact wicked vengeance on.
Forza 5 looks great and handles beautifully, but is it breaking the mould and pushing the envelope as a racing game? No. Things like in-depth car customisation (beyond selecting a colour) or fine tuning of settings as you might expect in real cars – admittedly insanely expensive ones.
Of course these sorts of features may be added later or show themselves when the game comes out, but the point is – these games are the flagship titles for the console, they should be trying something different.
With Ryse: Son Of Rome Microsoft at least have an experience you can’t get anywhere else at the moment. Looks wise it looks solid, especially the particle and fire effects, but the gameplay isn’t as fluid as you would expect when you are controlling a highly skilled warrior.
The swordwork – although slightly overusing slo-mo – looks stylish but is overly simplified to either horizontal or vertical swipes and the control scheme despite being simple is difficult to pick up on a first try.
Try to use any more exotic weapons at your peril. Spears and siege weapons tempt you with their shininess (and often necessity in order to progress, at least in the multiplayer mode we played), but then proceed to not be picked up, not fired and not aimed where you thought they should be. Not to mention they are far too slow to be effective on anything but very long range targets which you couldn’t take out any other way.
Returning brawler Killer Instinct has all the style and production value you would expect but very little rudimentary logic in its control scheme (where on Earth is block?!), which makes it a frustrating challenge for first-time fighter fans.
In all it’s third-party titles like Battlefield 4 which over the spectacle that you might hope for from the launch of a console, which is why it’s a shame the hotly-anticipated exclusive Titanfall won’t drop until next year.
Always online, then not, Kinect compulsory, then not. The One currently sits in an easy place as we approach what should be its shining moment.
Most consumers will be oblivious to the to-ings and fro-ings, getting the download from their local GAME staff member on the day, but for those well-invested in the brand, it’s been an uneasy few months.
The extremity both of the u-turns (perceived or literal) and the PR cock-ups from MS execs which often followed, has severely tested the fanbase, leading some to jump ship and many more to reconsider where they had placed their faith.
In the coming weeks and months the vision which MS tried to explain back in May will begin to come to life. How true it will stay to what was originally conceived remains to be seen.
There are plenty of reasons to be optimistic about the One’s chances though, despite all the uncertainty.
The features originally talked about and then canned could well return. The quality and fidelity of both games and graphics will improve, and already they are looking pretty tasty – even if they aren’t blowing your socks off.
Most significant of all of course, is the service which binds everything together – Xbox Live. Microsoft have an opportunity to push the community aspect of what they have created over the past decade.
Friends lists expand and include Twitter-like followers, more interconnected play over different devices and better access to friends than ever before.
It’s almost a shame that cross-generational gameplay isn’t possible, even if it was on something simple like Bomberman or Uno, because there could be an opportunity to tap into the browser/tablet games market through Live itself that way.
Once multiplayer numbers are beefed up and the community divided into like-minded individuals so that the hardcore competitive people can play together while the more groovy laid-back types can take their time with things, for example, there is the makings of a truly powerful web of people.
On top of that there is the potential of ‘the cloud’, but it all seems t0o intangible and vague at the moment to get a real sense of how that could shake things up.
In all, there are a lot of reasons to be excited about this console, but another, smaller number to be cautious about.
What’s key to remember though, is that it is early days, there is a lot of potential out there and even if the Playstation 4 does ‘win’ the war – i.e. get more players, more power and more games – it won’t take away from the fact that there are still some excellent experiences which are going to be only on Xbox One.
Besides if you wanted everything, with all its bells and whistles shining like the sun, then you would have switched to a gaming PC by now anyway.
Many words have been written about the ‘blockbuster’ games of the so-called seventh generation of home games consoles, but, as we move into a brave new world in November, what will their legacy be?
Call of Duty: Modern Warfare 3 boasted the biggest launch day sales figure in history (now more than likely claimed by GTAV) and Skyrim undoubtedly boasted the most hours spent by borderline-obsessed gamers indulging their fantasy lives, but some games made a more definitive impact (for me, anyway).
The titles below are the ones which made a significant impact for me on either Wii, PS3 or Xbox 360. (Sorry Wii U owners, but the real party is still to come, and also since I never owned a PS3, apologies in advance).
Resident Evil 4 (Wii)
Undoubtedly the most suitable and effective port of a game I have ever come across, Resi 4 had it all. There was a great, likeable protagonist, admittedly not the sort of guy you might want to go for a drink with, and an intriguing mysterious action/adventure (not survival horror) coupled with a drop of Japanese insanity to keep things interesting.
Whether it was the obsessive upgrading of my weapons – you never know when you might need an extra shotgun shell – or the cripplingly simple puzzles which I still couldn’t complete, there was fun to be had around every corner here, and on the Wii it took things a step further in terms of control and immersion.
Of course this wasn’t the arcade-machine-in-your-house that was Umbrella Chronicles, which was excellent, but flawed, but somehow there was something terrifying about the fact that you can’t move your character properly. It just added to the experience.
By the time you got to Resi 5 the magic had worn off, and the novelty of not fighting zombies but gunning down people infected by parasites unfortunately couldn’t sustain it through.
Guitar Hero III (360/PS3/Wii)
As much as its predecessor pushed the envelope over the first in the series, it was this game which really made its mark and told the world was here to stay (well, for a bit…).
The inclusion of rock icons such as Slash for the first time attempted to bring an element of narrative to proceedings, with mixed success, and shook off the legacy of Harmonix, the first game’s developer.
Like many Guitar Hero titles, the tracklist was key to the game’s success, boasting classics such as Pearl Jam’s Even Flow, Cliffs of Dover by Eric Johnson and, most memorably, Through The Fire and Flames by Dragonforce – a fiendishly hard track unlocked at the end of the game during the closing credits.
There might not have been a huge jump forward from Guitar Hero II, but the style and execution was more polished, consistent, and fun.
The coop or head-to-head battles made for some entertaining late night entertainment, especially when arriving home at 2.00am at university, and there is the added benefit of being exposed to some excellent music from a variety of bands and years.
Rock Band 3 (360/PS3/Wii)
Of course, by the time Rock Band 3 came along, the music game was on its last legs, but this title is as close to entertainment perfection as I think any game has ever been.
The addition of downloadable tracks, which began with the first game, reached a peak in this title as new songs were added every single week since launch for years after the game first came out. Plus there was the chance for content creators to share out their own music on the service, and often get more exposure than they ever could have any other way.
The implementation of the keyboard could have been smoother, but it was still fantastic, and opened up the possibility of you actually learning keyboard through a console, something for which I’m sure Rocksmith is most grateful.
The title gave the most diverse range of songs to date and became a classic party game overnight.
The notes runway, developed by Harmonix for the first Guitar Hero, reached its peak with every song playing out its own way – even including space for some improvisation.
The instruments were slightly hit and miss compared to rival title Guitar Hero: World Tour, but the travel version of the game’s cumbersome drum kit quickly made the entire package more accessible.
This game defined multi-instrument gaming to an extent that it has never been bettered since. Some might argue that it was the final nail in the coffin of the music game era, but to finish with an encore like this? Not too shabby.
Call of Duty 4: Modern Warfare (360/PS3/Wii)
Probably the most influential game on this list. It spawned an entire generation of modern military shooters, many of which carrying the COD moniker, and the twitchy-action and gritty fast-paced style of the game was aped just as often as the gameplay.
The nuclear destruction of the protagonist mid-campaign, a tragedy the player could do nothing to escape, was one of the most dramatic moments in video game history. To take such a bold step was something which, unfortunately they weren’t able to live up to in subsequent iterations.
The execution of the gameplay is undeniably one of the most well-produced of the generation, and still holds up well today. Campaign mission ‘All Ghillied Up’, a flashback featuring the player taking control of series regular Captain Price on a stealthy sniper assignment, remains one of the most tense and memorable missions for a first-person shooter.
Although the multiplayer wasn’t for everyone, it undeniably set the standard with its level design and perks system, even pushing the envelope in terms of Downloadable Content, something build upon significantly in later games.
Battlefield: Bad Company 2 (360/PS3)
What Modern Warfare did for shooters in general, Bad Company 2 did for vehicle combat.
Battlefield has always been about team play and the epic scale of war, and this title created a feeling of immersion within vehicles which I had never experienced before.
Not that it was the height of realism, but the map design and balance of different vehicles made it an incredibly compelling multiplayer experience. Flying vehicles were tricky, and arguably are still a little fiddly even now, but definitely good fun.
More impressive than the gameplay aspects though, where what developers DICE did with their new engine, Frostbite 2, which offered destruction even more impressive than that seen in Red Faction: Guerilla.
Buildings and scenery crumbled under the might of tank shells, with wood splintering, concrete disintegrating and the ground developing huge holes.
On top of that you add some of the most entertaining game modes out there for online multiplayer and you had a fantastic game. The only thing which pushed it that little bit further was the DLC expansion, Vietnam.
More than just DLC, the addition added new maps, vehicles and weapons to completely change the tone of the game within its own digital playground. Most importantly of all, it pushed the fun factor up to 11.
Left 4 Dead 2 (360)
In terms of multiplayer re-playability, there’s little which stands in the way of L4D2.
Although the game came out a little close to its predecessor for comfort, it managed to bring most of that game along with it through a number of DLC updates (which, admittedly, took some time).
The AI is what really impresses me about this game, as each of the special infected act differently and never fail to catch you out, no matter how many times you have played a particular level.
The feeling of panic as the horde rush mindlessly towards you far outstrips that of your average horror game. The sheer number of infected is overwhelming, not perhaps in the way as they are in Dead Rising, but because of their speed and relentless nature you quickly find yourself flailing wildly to escape.
The AI director, who silently changes the game behind the scenes to make a different experience each time, acts as an evil torturer at times, gifting the odd health pack before hitting back with a world-ending Tank.
Being a Valve game, the attention to detail is excellent and the level design is second to none – every time you play a game you find a different aspect jumps out at you (not literally, mostly).
It might have taken some time to become the game it is today, but that’s Valve, and there’s no doubt that it is the crowning glory of asymmetrical multiplayer.
Grand Theft Auto IV (360/PS3)
It might be the fifth iteration which is grabbing all the headlines for its billions of sales, but it’s the fourth instalment which really put the franchise on the map.
After swinging between realism and caricature for years with various games on the PS2, Rockstar decided to go all-out with the vast expansion of its world.
Comedy clubs you could visit, bowling, drinking, and a plethora of other sights were on show in what was the biggest and most detailed parody of New York City that has ever been created.
From the ‘GetALife’ building to the Statue of Happiness, the parody is flawless, mocking American culture at every turn. All to the effortless soundtrack of the Liberty City radio stations, which take things even further.
While the gameplay might not be the best aspect, in fact many aspects such as driving or combat are done far better by even similar games released around the same time, but it’s the overall convincing nature of the game’s world which makes the title truly compelling.
The story wasn’t anything ground breaking, but it fitted in with the game’s world well, offering insights into the life of Niko Bellic. How the player chose to make that character act is another story.
Mass Effect (360)
Mass Effect undeniably has the greatest story of any game I have ever played. Not least because it’s a story I wrote (sort of).
As the first chapter in the most exciting and varied piece of interactive story-telling in history, Mass Effect claims the crown over other RPGs (or, later, ‘action RPGs’) by making the player the centre of that universe so completely that they believe it has been created just for them.
The decisions you make throughout the story continue to shape the universe for years afterwards, cutting out entire characters from the subsequent games or changing alliances between races.
The controversy of the ending was inevitable with so much scope, but I believe that, all things considered, developers BioWare did well.
It’s one thing to create characters people love and care about, it’s another thing to feel like you really know them, love them, miss them when they are gone.
Garrus remains one of my favourite characters of all time, in any media, purely because of the journey he has joined my version of Shepard on. The emotional investment with this franchise, for me, is something which I haven’t experienced since Star Wars.
In the end, it is the experiences we have all had with these games, more than the games themselves, which will ‘define the generation’.
I don’t think it’s an exaggeration or a grandiose statement to make to suggest that this is the most variety we will ever see in any generation of gaming ever.
The difference between the games which began it, like Perfect Dark Zero, and ended it, the likes of Watch Dogs and plenty more still on the horizon, is vast. The one thing which they do have in common, is the player, and for me, this next chapter of gaming remains just as interesting and exciting because of the new types of experience it will inevitably bring.
So there you have it, my not-quite-top-ten. Which games would you choose?
It might be the Microsoft fanboy in me, but following the announcement of Xbox One, the company’s next generation games console, I found myself eager to get my hands on one.
The big reveal
First things first, Tuesday’s grand unveiling of the Xbox One could have gone more smoothly for Microsoft. With the gaming up in arms about the lack of games shown and in many ways the show raising more questions than it answers, the company have catching up to do at E3 to make themselves, and how their shiny new product actually works, crystal clear.
Despite the less than Oscar-winning presentation, one thing is clear – the Xbox One does far more than just play games. This is no surprise of course, the Xbox 360 has been moving to dominate the home entertainment sector for years, with countless partnerships with sports brands like ESPN and, in the UK, TV through Sky.
What is clear from the announcement event straight away is that Microsoft haven’t finished telling their story, and Tuesday’s show clearly wasn’t aimed at us (by which I mean geeky, hardcore gamer-type people).
Specifications shared so far are a clear step up from the 360, most notably the 8gb of RAM to keep lots going on at once.
There was a lot made of the fact that the eight core processor runs its two operating systems simultaneously, making it quick and easy to switch between the two, but I can’t see it being an every day feature, just as snap mode on PC isn’t at the moment.
With Kinect 2.0 included as standard with all consoles though, it will be something which won’t be as forced as it will just be another gameplay feature rather than something which needs shouting about. Imagining the occasional squad voice command or casual gesture to flick through menus lazily makes me think of a few instances where I might make use of it.
The controller remains much the same as the 360’s, which is a very attractive prospect. I’ve never got along with the Playstation’s Duel Shock design, I’ve found it uncomfortable and awkward, and the addition of a touch-screen in the version 4 model doesn’t go far to change that.
Added sensitivity to rumble control could prove to be great for adding immersion and atmosphere to games, particularly tense moments in horror titles, and the supposed 40 innovations which are included under the hood are sure to make sure the controller has the responsiveness to keep up with the pace of modern titles.
In terms of the other companies’ offerings, you might ask why I’m already so sure Microsoft deserve my money rather than Nintendo or Sony.
The simple answer is that they have all made money out of me in the past, and the difference between them most of the time is attitude. Sony are a solid company and make good products, but in terms of gaming they have never had iconic games or characters which I have really latched onto.
Nintendo have iconic characters in droves but have become something of a caricature of themselves. Not that a bit of Mario now and again isn’t good fun, but having grown up with it (endless secondary school lunchtimes lost to link-cabled fun on Game Boy Advance) it’s something I tend to prefer to just look back on with fond memories.
Microsoft have stuck to their guns in the past, and continue to do so with radical changes in the latest Windows release such as taking away people’s Start Menus (another thing which doesn’t really bother me).
With their consoles this proves to be no different, and the Xbox One appears to crap in more random and potentially unnecessary features than a Swiss Army knife. The reason I’m un-phased by this though is that I have started to get to grips with some of the multimedia functionality on the 360, and I believe it’s something which is set to grow.
Browsing a web page might still be a bit cumbersome without a keyboard to type in pesky web addresses, but the integration with Windows and Kinect should make the experience much easier than before and therefore less of a pain when you try to do something and then give up and decide to do it in half the time on your phone.
Smartglass returns too, and will most likely play more of an integral role in the machine than its trial run on 360, and there have been a lot of bold claims from Microsoft such as “lag-free” and “instantly”, which despite the obvious exaggeration suggest these sorts of basic interactions will be handled more quickly and easily before.
The unanswered questions
It’s fair to say that the games focus the company are insisting the console has, which is ‘simply the best gaming console we’ve ever made’, still needs to be justified at E3.
Microsoft have given themselves a mountain to climb in terms of not addressing the countless pre-announcement rumours: always online, pre-owned and backwards compatibility to name the big three.
Luckily, the hard work done from numerous games journalists across the world has forced a little more information and clarity, but in terms of making it easy for the consumer they haven’t got off on the best foot.
For me, I can think of only one or two titles I’ve bought pre-owned this year and what secret plan Microsoft has in store at E3 for pre-owned will probably involve a fee of sort, but if it goes to supporting the people who spent the time making the game rather than flagging high street retailers who capitalise on high profit margins with inconsistent trade-in prices, it can’t be too bad.
Like many devices, the Xbox One may well work without the internet, but really the integration with ‘the Cloud’ among other things means that you will want to keep it plugged in all the time anyway to make sure everything is up to date.
As for backwards compatibility, this has been clearly confirmed as not possible due to the differences in architecture, but really how often do you play old games on a new console anyway?
The vast majority of the launch presentation may have oversold the TV aspects of things, but it will still be games which drive the console along, and already there are some attractive reasons to get in early to the party in the form of Battlefield 4 and Xbox exclusives aplenty.
Being late to the party with the 360, this time I’m reserving my place at the start of the queue.
Of course, you can fully expect to find me eating these words after E3, be sure to pop back then for a, hopefully, fully formed impression of what the console has to offer.
The ‘movie tie-in’ game is one of the most disrespected of genres in the computer games industry, and yet SyFy and Trion Worlds have come together to create an experience which straddles both television and gaming media. The question is will does succeed?
In short, the cop-out answer is that really it’s too early to tell. Series one of the TV show is still only just underway (as of April 2013) and the games following is swelling slowly.
On the silver screen
As pilot episodes go, the first episode of Defiance sets itself up well, but you can’t help but shake the feeling that is trying hard to be ‘the new Firefly’. Of course it will want to avoid the destructive fate of Joss Wheedon’s famously cancelled series, but the setup is undeniably strongly influenced.
You have a slightly gruff, reluctant hero and war-veteran with the heart of gold – Joshua Nolan (Grant Bowler) – accompanied by his young female companion who may well have one or two screws loose – Irisa (Stephanie Leonidas).
The similarities don’t end with the characters either. There’s a definite post-apocolypse Western feel to Defiance, with a real feeling that people just want to get by and go their own way.
What is different to the world of Serenity though, is that this is Earth, a place called Defiance to be precise, the city which used to be called St. Louis before the trouble began, which now stands in the midst of mini wars taking places throughout the wastelands which surround it. The landscape has been partially terraformed by the arrival of the Voltan, a race of alien refugees who’s own planet has been destroyed, and the splintering of humanity following their inevitable clash with the Voltan has left a number of different factions, all out for themselves.
Being part of the story
The TV show serves to set up the story for the game in many ways. Despite being in different locations (the game takes place in San Francisco), the lore of this world puts it’s own twist on the issues of politics, race and deception, much as Star Trek once did.
In the game you take the role of an Arc Hunter, a scavenger who travels the wastelands searching for the best salvage and ‘scrip’, the universe’s currency.
As the game is Massively Multiplayer Online (MMO), your journey through the world is accompanied by others from across the globe, who jump in and out of missions at leisure.
Though based around social interaction, the gameplay doesn’t push it on you. There is area chat, which can be switched off, and you can make a group or go it alone as you please.
There are some areas specifically designed for multiplayer, such as specific cooperative missions and some player vs player modes, including the savage Shadow War, a 64 player battle to control an area in the vein of Battlefield’s Conquest mode.
Bringing it all together
Where the two feed together is the unique selling point of both the game and the TV show though, with grand promises that down the line the characters from the game (even top-ranking players) could find themselves appearing on the show and vice versa.
The latter has already been teased with a handful of episode missions set ahead of the TV show, which show its protagonists in search of a crystal which then appears in the pilot.
It’s a delicate balance to keep both a game and TV audience happy when they aren’t necessarily bought into both perspectives.
Undoubtedly the two combined are greater than the sum of their parts, and seeing familiar elements recur is a genuine thrill, but with a project with such a long-term focus, is it better to wait until things are a bit more built up?
Patch yourself up
The first in-game update has already fixed a long list of bugs and issues with the game, though some reviewers’ concerns such as the lacklustre visuals and limited weapon options remain.
To topple the giant that is World of Warcraft, the world’s most popular MMORPG, would take some serious doing, but the team here have made an MMO, something altogether more straightforward to engage with.
Character customisation is basic, think Mass Effect levels of detail customisation, and equally the weapons take some time and a lot of luck to get interesting. Weapon modding is perhaps the most complex sub-system, with certain weapons having ‘synergy’ mods, which work together for an overall more combined effect.
The game does warm up quickly though, granting a vehicle to zip around the surprisingly diverse landscape, filled with mini-encounters and secondary missions to keep things interesting. The whole thing has a strong Red Faction Guerilla feel, which is no bad thing.
The reason that this isn’t a review is because this is a game/TV series which is an investment of time as much as it is an entertainment experience in its own right. The ultimate decider as to whether the joint venture has worked will be whether they both last more then two seasons.
The potential for expansion is exciting though, and there are some good ideas and characters here begging to be developed further. Imagine teaming up with an army for a battle which spanned both the game and the TV show and your actions contributed to the outcome of both worlds. To see some real interaction and commitment to the vision both teams have set out towards could yet make the game one of the defining moments of this generation – a real trend-setter.
Hopefully these sorts of mutually beneficial collaborations are something which will become more and more common, with the one-sided affairs of old, which only sought to squeeze a few extra pounds out of a franchise, confined to the history books.
The fun and games of 2012 is behind us, so it’s time to stop doing Gangnam Style, put down your ‘New’ iPad and think about all the exciting things which will clamour for both your attention and your wallet this year. Here are 13 things we are really looking forward to:
Ingress (Available Now)
It might seem strange to start with something which you probably haven’t heard of, but its mysterious nature is what makes it interesting. Currently search giant Google is beta testing an augmented reality app, which calls for users to investigate the world around them using their phone as a scanner.
Using the software from the Google glasses demo released last year, the team have come up with a narrative based around CERN’s Higgs Boson experiment. To request an invite for the beta go to the Ingress website (but expect to wait a few weeks). Expect more on the site in the coming months as we delve deeper into the mystery.
DmC: Devil May Cry (11 January)
While the obvious candidate for the crown of ‘anticipated game of the year’ is Grand Theft Auto V, we decided to avoid tackling Rockstar’s media-teasing monstrosity and talk about some of the smaller hitters, beginning with DmC, a reboot of Devil May Cry.
Danté is back, now with a harcore-fan-outraging new look, and a more user-friendly play and combat style. Developers Ninja Theory haven’t held back in taking the series’ ingredients and throwing them in a blender to make a more dynamic and edgy game, not that it’s tricky to make a demon hunter who is half angel and half devil look edgy. What we’ve seen so far looks impressive, though the team have an uphill struggle to convincingly gain ground in the third person slash-’em-up arena.
The Joy Formidable – Wolf’s Law (21 January)
After a stunning debut album from the Welsh three-piece, they are due to strike back this year with their second album. The band perform amazingly well live, and their songs have that element of originality mixed with a few familiar pop tricks which make them compulsive listening.
Lead vocalist Ritzy’s voice is immediately striking and the synergy in the group is second to none. First single ‘The Ladder is Ours’ picks up where the first album left off and drives the band’s music forward. Expect some well received live performances on the back of this CD later in the year.
Title track ‘True North’reveals more, and gives a sense of the overall tone of the album itself, somewhere between the blisteringly quick songs of early days with albums like Incomplete and the philosophy of The Process of Belief.
Windows Surface Pro (28 January TBC)
We’ve already waxed lyrical about Microsoft’s latest operating system, Windows 8, and what more could you want? Windows 8 in a handy portable package of course. The RT version of the Windows Surface tablet has been out for a few months and has sold “modestly”, but many IT enthusiasts are holding off for the full ‘Pro’ version, which runs standard windows programs as well as Windows‘ own tailor-made apps.
With boosted specs and plenty of positive reviews of the RT version already circulating, this could be the technology purchase of the year (well it’s less likely to be replaced in a few months like a new iPad might in any case).
New(ish) gaming IPs: Remember Me (May 2013) and South Park: The Stick of Truth (March 2013)
Despite the Xbox 360 nearing the end of its life (see point 11), there are still new IPs coming to the console which look promising. South Park: The Stick of Truth, though not entirely new since it is based on the South Park cartoon series, is the first which cartoon creators Trey Parker and Matt Stone have been directly involved with throughout (reportedly because they were sick and tired of bad South Park games). The game riffs on the classic staples of turn-based RPGs and is sure to have plenty of the sort of laughs and cultural references the TV show is known for.
Remember Me is Capcom’s take on manipulating reality by changing people’s memory in the near future. The game features a protagonist called Nilin, a ‘memory hunter’ who has lost her own memory and is on a quest to get back what she’s lost, while forcing people to kill themselves through memory manipulation along the way. The game is being handled by newcomers Dontnod Entertainment, but reception to the game so far has been promising, so hopefully this won’t be a case of all shine and no substance like fellow near-future jaunt Syndicate was last year.
Star Trek into Darkness (17 May)
Zachary Quinto and Chris Pine reprise their roles as Spock and Kirk as we go Star Trekking once again, this time with the help of Sherlock Holmes, well, Benedict Cumberbatch. Star Fleet is under direct attack this time around, and Cumberbatch, who plays an unknown character who may or may not be linked to classic Trek film The Wrath of Khan‘s Khan.
The first teaser trailer shows all the destruction and drama you have come to expect from J.J. Abrams’ reboot, and with the acting talent in the mix it would be difficult to not make this the cinematic spectacle of the year. At least unless a bunch of superheroes turn up…oh…
Man Of Steel (14 June)
Zack Snyder directs the latest in a long line of Superman films, but this time, for the first time ever, Superman himself is British. Jersey-born Henry Cavill, who you may have seen in The Tudors TV series or 2007’s Stardust, dons the red boots in a familiar tale, retold.
Comic book films return (Sin City: A Dame to Kill For (4 Oct USA), Kick-Ass 2 (19 July), Thor: The Dark World (Nov 8), Iron Man 3 (26 April), The Wolverine (26 July))
Superman isn’t the only superhero doing the rounds this year of course, there are a bunch of sequels on the way to astound and delight us all. Of these the most exciting is Kick-Ass 2, which sees Kick-Ass, Hit Girl and Red Mist all return, with original actors Aaron Taylor-Johnson, Chloe Morentz and Christopher Mintz-Plasse, for another round of crude and comic caped action.
This time Red Mist is seeking revenge, as teased at the close of the first film and Jim Carrey also makes an appearance as Colonel Stars and Stripes. With so many dark and ‘mature’ style superhero flicks flying around it’s good to have something like this as an antidote.
(No Kick-Ass 2 trailer just yet I’m afraid, but Iron Man is shaping up nicely too).
Reading Festival 2013 (23-25 August)
With organisers Festival Republic kicking off the hype train early this year, we already know that Eminem will be one of this year’s Reading Festival headliners. Also in the mix are Alt-J, Deftones and Sub Focus.
The event always pulls in some of the greatest acts in the world for the year and the atmosphere is difficult to beat for a full weekend festival. Plus following the re-jig and re-brand last year things will be running even more smoothly, leaving more time for drinking and moshing than ever before.
The next Xbox (Q4 TBC)
The Xbox 360 has now been on shop shelves for seven years, with hardware older than that, and in some places it’s beginning to creak at the seams. The lack of big game release dates after May this year leans heavily towards a hardware reveal at this year’s Electronic Entertainment Expo, after a decidedly by-the-numbers affair last year.
At present no concrete news has come out about the next Xbox console, despite rumours being rife, but whatever happens it is likely to slot effortlessly into its parent company’s efforts with Windows 8. The question is, will they strike while the iron is hot?
The Hobbit: The Desolation of Smaug (13 December)
After the success which Peter Jackson had with the first instalment of The Hobbit,An Unexpected Journey, we have our fingers firmly crossed he can keep up the momentum for a further two films. The subtitle for this year’s film, The Desolation of Smaug, would suggest this is the chapter in which Smaug is vanquished, but what does that leave for film three?
The multi Oscar-winning director is doing it for the love at this point, so it’s hard to see him making a misstep at this stage, but the real draw for this next film is the returning cast, all of whom shone in part one. How can you say no to more Gandalf?
The digital entertainment tipping point (TBC?)
The final point in our list is more speculation (speculation you say? On a blog? Outrageous!) around the subject of digital distribution. It might not be something to look forward to if you are keen on polishing the boxes on your CD shelf, but the digital revolution is happening right now. In music in particular the market is struggling to cope, as consumers begin to buy songs online through the likes of iTunes more and more.
The BBC recently reported that in 2012 CD sales fell by 11.2% overall, with sales of physical copies down 20% to 69.4million, compared to a rise or 14.8% for digital, bringing its total up to 30.5million. Surely the day we see digital in the majority isn’t far away?
In gaming and films too things are changing, as more people stream or watch films online, sometimes through games consoles, and various on demand services such as Netflix providing access to thousands of films without the bother of popping down to Blockbuster. Games on demand on Xbox remains uncompetitively priced, but avenues such as Valve’s Steam platform are proving more popular than ever before.
The interconnected nature of technology is making viewing entertainment easier every year and this year could be the time when we start to see the digital future really come into its own.
Troubled high street retailer Game is poised to make an unusual new assault on the gaming market in 2013 with the launch of ‘The Game Pad’, a rent-your-own gaming hideaway featuring the market’s shiniest new titles.
Bespoke services are nothing new in retail, but such an intimate, personal offering is immediately an intriguing step for such a mainstream store. Located in Staybridge Suites near London’s Westfield Stratford City Shopping centre, the Pad is a customised room kitted out with enough consoles, games, snacks, pizzas and beer to keep a group of gaming enthusiasts occupied for an entire evening in secluded luxury.
Costing a shade under £200, the set up may sound like a pricey night out, but a hotel in London is hardly peanuts by itself, and the suites are a far cry from your local Travelodge in terms of quality – not to mention you can cram in as many people as you like.
The suite comes with a king-sized bed and all three main games consoles: Xbox 360, Playstation 3 and Wii U, plus the latest off-the-shelf titles – unfortunately no secret previews of Grand Theft Auto V to be found here. Unsurprising perhaps, but it would have been a great feature if you could get a couple of days head start on other gamers with 2013’s big-name releases.
The company boasts the Pad is “the ultimate gaming experience”, but for such a hefty price tag, you would expect a suitably top-of-the-line experience. At present there is no customisation available for the suite, meaning if you fancy an eight-way Halo 4 party then you are out of luck, plus the inability to take your save game with you when you leave (unless, possibly, you have a handy USB stick), could prove to be a turn off for some serious players.
The Pad does have high speed internet and a really chilled-out feel though, so it might be an attractive prospect for a geeky bachelor party or a music game marathon – with no parents to tell you to keep the noise down or neighbours to complain, the fun could easily carry on through the night, just in time to be perked up by the complimentary breakfast.
Whether the package is for you or not is down to personal choice, and for those who are fanatical enough to be excited about something like this, a lot of the games on show will be featuring on people’s Christmas lists anyway.
If you do want to make a social occasion of it and you have a diverse group of friends though, there’s more than enough room to have all three of the consoles on at the same time – all it needs is an iPod friendly music system to tap into and you’re set for an evening of Playstation All-Stars Battle Royale while listening to soundtracks of your favourite 90s classics.
The current so-so popularity of HMV‘s Gamerbase and a past failed wandering into the realm of specialist gamer-pampering in the form of Virgin’s Gamestore, not to mention dwindling boxed-game sales, are hardly an encouraging starting point, but something bold like this may prove to be a game-changer (ahem…) if pushed in the right way.
What could be even more successful is if Game made it possible for you to have any combination of consoles you wanted from the past 15 years or so, meaning you could follow your Super Mario Kart Grand Prix on the SNES with a winner-stays-on run of Goldeneye, rounding things off with some classic Tomb Raider. Surely something as individual as that would, undoubtedly, be a gamer’s paradise?