Tag Archives: Breaking Bad

Five must-see Netflix shows you should watch right now | Feature | Entertainment

NetflixStreaming is now more popular than ever and, regardless of your device, Netflix is the king as far as streaming TV goes. Don’t go thinking we’re on the payroll, no doubt there are better equipped services out there for films in particular (Lovefilm springs to mind), but that aside, with Netflix branching into original content and signing a deal with Marvel and even Dreamworks for brand new content, the future is rosy.

Now then, is a good time to get on the bus, so with that in mind allow us to present five shows you should get under your belt right away:

The Thick of It

The Thick Of ItWith Peter Capaldi about to step into the shoes of the most famous role in television (love it or hate it, you know it is), the time is now to get to know the actor. Capaldi’s turn as spin doctor Malcom Tucker is a masterclass in intimidation.

As British TV shows go, The Thick of It is one you could have missed back in 2005. A political fly-on-the-wall style show along the lines of Yes, Minister but injected with 2000’s satire and plenty of venom.

Simple ideas well-executed are often the best and in this case as the show changes it manages it without losing its flair.  The rest of the cast are good fun, particularly a pre-Mock The Week Chris Addison.

Castle

CastleWe all love Nathan Fillion, or we should, and Richard Castle is a role which he wears like a glove. The detective genre is nothing new, but the way Castle is executed makes it a class above – the humour it particular is perfectly balanced on the chemistry between the two leads.

A compelling mix of action, drama and comedy, Castle follows the escapades of crime writer Richard Castle and Detective Kate Beckett (Stana Katic) as they solve real life crimes together.

The supporting cast are equally well-rounded, and bring life to what might otherwise be a fairly procedural drama. The overall story arc as the series continues ramps up, though unfortunately the best is yet to make its way onto Netflix itself. That said the first two seasons are a very strong start.

House of Cards

House Of CardsLittle more can be said than the excitement expressed in our recent Ten most anticipated titles of 2014, but don’t forget Netflix is the only place you can find the show – unless you pick up the DVD of course.

Just in case you missed it, the short version is that House of Cards is a political drama like no other. Completely unlike The Thick of It in almost every way – apart from quality – the show follows senator Frank Underwood on his rise to power, as he struggles to the top regardless of the consequences or what he has to do to make it.

With the entire series dropping at once on February 14th, you could even squeeze in a re-watch if you’ve already seen it to get you in the mood.

Spooks

SpooksThe coming of Spooks and its studio Kudos marked a landmark in British TV in that it was the first time you know the name of a production company by style and quality alone, and it’s even on the BBC.

Following the goings-on of Military Intelligence 5 (that’d be MI5 then…), Spooks is a high production value show which puts characters at the centre of its stories. It created a name for itself when it killed off one of the regular cast early in the first series – from here it flew in continued to change things up, refusing to let itself go stale over a run that lasts a decade.

In fact, it is one of the most re-assuringly long UK shows in recent years, and acted as a springboard for others such as Life on Mars and Kudos’ own Hustle. Most satisfying of all, watching the show in full is a journey through the technological and cultural changes of a post-9/11 Britain.

Black Books

Black BooksBritish comedy is an institution, and in many ways you either get it or you don’t. There is a wealth of it sitting on 4oD alone, and Black Books is one of the strongest examples of a show which is small, but perfectly formed.

More focused than the madness and reference-filled journey that is Spaced, Black Books is a simple sitcom starring Dylan Moran, Bill Bailey and Tamsin Grieg. The characters gel together well and reflect the personalities of their actors, and at just three seasons the show stays just long enough to avoid overstaying its welcome.

A particular highlight is an episode in which Bernard Black (Moran) and Manny (Bailey) write a children’s story, with typically hilarious results. There’s also plenty of familiar guest stars cropping up now again to boot.

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Of course there’s more than enough to keep you going from now until the end of time, so what are you waiting for? Head to netflix.com to find out more, at only £5.99 a month it’s one of the best options on the market, but don’t take my word for it – give a free trial a go.

Top shows to add to your watch later list, or to plan in some time to get into, are: Breaking Bad, Firefly, Archer, Hustle and Star Trek: The Next Generation

James Michael Parry

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The future of online gaming | Feature | Gaming

DestinyOnline gaming today has more players and costs more money than ever before, so what happens next?

OK, so we can’t predict the future, and we don’t pretend to know any more than you, so don’t read on expecting undeniable facts.

What you can expect (read right to the end, we’re watching you), is our thoughts on where the online side of gaming is going, and what experiences we can expect to encounter.

A digital future

Players of GTA Online have been given half a million in-game dollars to apologise for the shaky start.
Players of GTA Online have been given half a million in-game dollars to apologise for the shaky start.

The two next-gen consoles stand primed to clash in the greatest technological showdown of our generation, but what about the games?

One thing is clear – offline-only games are going to be few and far between. The rise of online-only games was felt more this year than ever before, in both successes and catastrophes.

The latest Sim City gave players cause for concern when it’s online requirement backfired spectacularly, but the highest profile casualty has to be Grand Theft Auto Online.

While the game is, if nothing else, incredibly ambitious, Rockstar fell under pressure quickly when there were countless problems with the game – a free addition for players of Grand Theft Auto V.

Weeks after launch, and after several title update patches to try to iron out the issues, GTA Online still feels creaky and glitchy. Not to mention the race to level up has left many players behind, particularly in races where no amount of money can buy car upgrades which they haven’t unlocked yet.

With so much seemingly against online games then, why do publishers and developers keep pushing for more?

It’s not about the money, money, money

Defiance always had a mountain to climb in setting up its infrastructure from scratch.
Defiance always had a mountain to climb in setting up its infrastructure from scratch.

Building an online platform, especially from scratch, is a massive undertaking which requires a lot of initial investment and on-going maintenance.

For big publishers like EA and Activision, these sorts of technologies are already on hand and so often can be adapted or acquired more easily, but for many games there isn’t so much backing on tap.

The title which really stands out in this regard is Defiance, whose developer Trion Worlds reportedly invested $70million to get the game up and running for multiplatform release earlier this year.

Despite a shaky start, the game performed well and lived up to nay-sayers who suspected it would never work. Unfortunately it has struggled more recently as the player numbers have began to fall.

Thinking inside the box

Stars of the TV series were available in the game ahead of the events of the TV show and the player got an extra insight into how they got to where they are at the beginning of the show.
Stars of the TV series were available in the game ahead of the events of the TV show and the player got an extra insight into how they got to where they are at the beginning of the show.

Where Defiance has an opportunity to remain relevant is the fact that first and foremost it is a multimedia enterprise, married up with TV network SyFy who have created the companion TV series alongside it.

Could multimedia hold the key to a sustainable future for online gaming?

Microsoft is very well placed for a multimedia revolution and the likes of Netflix (available on all consoles bar the Nintendo ones…) are announcing exclusives and special shows on an increasingly regular basis. Will we see games which tie-in to these net-based shows?

Then there’s the game spin-off TV shows themselves. Halo is working with the well-respected director Steven Spielberg and there is also a live action Need for Speed film in the works starring Aaron Paul of Breaking Bad fame.

Of course tie-ins of the latter sort are nothing new, indeed there have been plenty of embarrassing crossovers in the past, but with the opportunities of distribution through this new round of the consoles all the more smooth can we expect more?

It’s in the game

Created by coders formerly of Infinity Ward, Titanfall is one of the hottest games due next year.
Created by coders formerly of Infinity Ward, Titanfall is one of the hottest games due next year.

The way we play has also affected the games themselves, not just driving titles to being always-online (to get those coveted ‘living, breathing worlds’), but in terms of how they are structured and how they play.

Hotly anticipated next gen title Titanfall foregoes a traditional singleplayer campaign, opting instead for a skirmish-based cooperative campaign. The cooperative part is key, since the game wants you to play with others and grow with your characters and your team.

The risk here is that without a singleplayer campaign, players won’t get sucked into the story elements or the lore of the title and end up merely taking it at face value.

Bungie has high hopes for its new IP, Destiny
Bungie has high hopes for its new IP, Destiny

In a similar boat is Bungie’s Destiny. Responsible for establishing the Xbox with the original Halo, the company clearly know what they are doing when it comes to gaming.

Bungie simply describes Destiny as an ‘action’ game, suggesting that players will enjoy “a compelling storyline, competitive multiplayer, cooperative gameplay choices, wide open public combat destinations, and third-person community spaces where you can repair and rearm before going out on your next adventure.”

Once again, despite also offering player vs player modes, the main focus is cooperative, one of exploration and creation. It remains to be seen whether players will lose themselves in Bungie’s new world, or if they will just spend their time grinding for new items to use in team deathmatch.

Stormy weather

Forza developer Turn 10 claimed the time saved in development from having the cloud ready to deal with online multiplayer meant higher-quality visuals.
Forza developer Turn 10 claimed the time saved in development from having the cloud ready to deal with online multiplayer meant higher-quality visuals.

The power needed to keep all of these games afloat is potentially limitless, as countless players around the world all interact, much as they have for years, except with bigger, richer and more dense worlds to explore.

That computing power has to come from somewhere, and it’s likely that cloud-based processing power will become increasingly important, especially as the games grow and change to adapt to their developing environment.

It’s unclear how effective or how close gaming will realistically get to the potential of the technology. The biggest stumbling block, and criticism, particularly in the UK is that internet speeds simply aren’t quick enough yet.

The cloud can take over processing power for things which might be able to be sent back through the web without the player seeing a lag, but for things like fighting games where split-second timing is key it’s unlikely the cloud would ever be able to ‘take over’.

The end game

Companion apps and integration are undoubtedly going to be a big part of online gaming in the future.
Companion apps and integration are undoubtedly going to be a big part of online gaming in the future.

The opportunities and possibilities of the continuing trend of converging media have the potential to make gaming more mainstream than ever before.

Ubisoft’s The Division sees players fighting in teams over a sprawling, dystopian world map. This game will use multimedia to link into players real-world lives and draw them back in by sending messages straight to their phone or allowing players using tablets to interact directly with players on the console through a meta-game function generally known as ‘commander mode’.

What is key to the success of these sorts of big ideas though, is whether players actually make use of them, and that gaming companies actually make money out of them.

Micro-transactions, DLC and in-game advertising are a whole other side to the funding debate entirely, but what will be the proof of the sorts of innovations above is if they substantially lengthens the lifespan of the game.

What to expect from next gen online gaming then? In a nutshell more of some of the things we know already and plenty more coming besides that. Better warm up the router now…it’s not going to get a lot of rest soon.

James Michael Parry