As bands of misfits go, it’s difficult not to relate to the X-Men. As the seventh film in the franchise (depending whether you have a selective memory about X-Men 3: The Last Stand or not), the series has gone the distance without succumbing to the allure of a reboot, and here’s hoping there’s a long way to go yet.
Hugh Jackman might be typecast as the poster boy for the X-Men, but there’s no hiding that he carries the role well, and this film is no exception. In Days of Future Past, Wolverine is integral to the plot, acting as the time-defying bridge between the ‘current’ cast and that of the 2011 prequel X-Men First Class.
Getting your head around the contorted plot might prove a challenge of you’re someone who needs to understand things rather than take them at face value. The key to the story is Kitty Pryde (Ellen Page)’s new mutant ability, the power to send people’s consciousness back in time.
Like many aspects of the film, no explanation is given for this, but it does give us a good excuse to why there’s two versions of a few characters in the movie, namely Professor X and Magneto.
The past sections pick up 10 years after the events of First Class and the years have not been kind to the Professor (James McAvoy) who has sacrificed his powers for the ability to walk again, thanks to a handy serum developed by Hank McCoy (Nicholas Holt), which explains why you’ll have spotted him walking in some of the trailers.
Herein lies the beauty of what Director Bryan Singer has created. Touches like that which seem like a disregard for the established canon are expertly explained. It’s clear that Singer has a great love for the franchise, and from his track record fans were excited to see him return to the helm.
Even more reassuringly, Singer’s work here is easily up to the standard he set with the original X-Men and X-Men 2. Getting the balance of so many characters right is a tricky skill, one which went awry when Brett Ratner picked up the third installment with disappointing results.
All of this adds up to a film packed with familiar characters – with big name actors to do them justice – and a complex but exciting plot. All it needed to top things off was a devastating new enemy: the sentinel.
Created by Dr. Bolivar Trask (Game of Thrones’ Peter Dinklage on top form), these towering robots, with more than a hint of the fire-breathing titan from Thor, can adapt to the abilities of mutants when they are attacked, and since they soon decided to get rid of most humans as well, a bleak future awaits mankind – unless James McAvoy and the gang cant stop them.
Back in the 70s alongside Professor X is Magneto (Michael Fassbender), who has been locked in the most secure building in the world – The Pentagon. Luckily, Wolverine knows someone who can help them, leading to the introduction of the most fun character in the entire film, Quicksilver, who can move at incredible speed. One gripe with this film could be that we didn’t see enough of him.
The stakes are high with this film, not just in the story but for the franchise too, since a critical flop could have led to a loss of faith from fans. Fortunately Bryan Singer has delivered a film which ticks all the boxes and is consistent in a universe wrought with irregularities.
Whether the already announced X-Men: Apocalypse can keep up the standard remains to be seen but for now it’s time to sit back and enjoy the best film of the year so far.
James Michael Parry